Docent Traver Trip 2014

By Lena Gibson, Museum of Glass Docent

On a rainy Tuesday morning, five docents (Carol, Annette, Mary, Lysa, and I), two staff
members (Elisabeth and Bonnie), and two guests made our way to the Traver Gallery in Seattle using our Sound Transit bus system. We did not all ride the same bus, and in fact, two didn’t ride the bus at all. For those of us who did, it was a lot easier than driving, once we had figured out which bus to take, where to park, etc.

Bill Traver gave us an excellent tour of his gallery. We went to see two of our favorite artists, whose exhibits were closing soon. April Surgent spent time in Antarctica and used a time lapse technique with pinhole cameras to capture the light and ice and water and wildlife of the area. She then translated the images she captured into glass, using her unique technique of cameo carving into different colored layers of fused glass. She had made quite a few pieces for this exhibit and Mr. Traver told us each were sold already. 12

Then we went to another area of the gallery to look at the latest pieces from Preston Singletary, another favorite glass artist we were well acquainted with. In this exhibit, one of the new features were that there were pieces done in pastel colors, like golden yellow and salmon pink. There were three extremely large glass baskets that came with their own stands. Many of the hand sculpted figurines on Preston’s rattles now had the addition of locks of real human hair3456

It was interesting to see other works in the Traver Gallery, from Chihuly, Nancy Callhan, and many others. We were intrigued by fused cane works from Sean Albert.

We also went downstairs and around the corner to the Vetri Gallery. We saw some very nice pieces from Gabe Feenan, as well as many other nice works by different glass artists.


I took these photos, with the exception of the one with the pink and gold heads by Preston. That was taken by Mary Robinson.

After the galleries, most of us headed to Pike Grill Brewing Company for lunch and a chance to talk everything over. I learned a lot about Corning from Bonnie and her guest, Lee, who works there. The bus ride home was so much easier than a drive on I-5 south at that time of day.

Off the Beaten Path at GAS Conference Chicago, March 19 – 22, 2014

By David Francis, Museum of Glass Curator

The weather gods were kind to the glass world, as temperatures warmed up to the low 50s during the conference. With piles of dirty snow around, it seemed like the worst winter since the late 70s was on the way out. And yet the snow returned after we left.

While it was boxed away in a small, darkened room, the “Enlightened Glass” exhibition at the 2014 Glass Art Society Conference in Chicago a few weeks ago was a best-kept secret.  I crept in during a break in the action on Saturday and was hugely impressed with the range of vessel forms and sculptural work. Hopefully, GAS will eventually get some images from the show online; in the meantime, here is John E. Bannon’s “Bored of Frustration”, a whimsically titled, sculptural work that I enjoyed for its subtle juxtapositions: the figure is relaxing – but on a bed of nails. It also took a minute to realize that what at first appeared like an abstract line of glowing tube was actually a figurative sculpture. Instead of neon, the gas in this case in krypton, and a transformer enables the gas to appear to be moving, as little balls of light move from one end to the other.

John E. Bannon_Bored of Frustration

Friday night, Made Gallery hosted “How Glass Is…,” an exhibition of flameworking that ranged from pipes to sculptures. There was an immense line of people out front and for the rest of the evening, perhaps 200 strong, with a handful allowed entry every few minutes. So much for escaping the beaten path!

GAS 2014_Made Gallery


GAS 2014_Sibelle Yuksek_Dans Les Nuages

At the Made show, Sibelle Yuksek’s piece, “Dans Les Nuages” (“In the Clouds”), consisted of a lampworked borosilicate sculpture that functioned as a fashion accessory or elaborate hat – the installation included a great photograph of a model wearing the piece. Check out Sibelle’s line of wearable boro glass.

David Francis works primarily as an artist-curator with a practice informed by poetics, critical theory and archaeology (MFA, PhD, University of Washington). As an adjunct college professor for almost 20 years, he taught in Delaware, Washington, Kentucky, Poland (Fulbright), Semester at Sea, and Hungary (Fulbright), finally settling at Cornish College of the Arts from 1999 – 2006, when he began to focus on making visual art, joining Center on Contemporary Art (CoCA) as an artist- curator in 2005 – 2013. From the mid-1980s until 2011, he also pursued a parallel career in archaeology, surveying, testing and excavating numerous sites in four states. In addition to more than 20 curatorial essays in exhibition catalogs, his publications include numerous technical reports, an award-winning collection of poems and a book on the indigenous Zoque region of Oaxaca, Mexico.