Out of the Vault: Soundtracks with RYAN! Feddersen

Making art from glass is time-consuming. It is an undertaking that can unfold over hours, but more often takes place over days, weeks, or even months. A great music playlist can be essential to keeping focused and staying creative. These playlists were the starting point for our exhibition Out of the Vault: Soundtracks. MOG curator Katie Buckingham sat down with RYAN! Feddersen to learn more about her work in the exhibition and creative process.

KB: Let’s start by talking about Disconnected Bison Stack. It was made at the Museum as part of your 2019 Visiting Artist residency.

RF: During the residency, I was making a series of works inspired by Columbia Plateau burden baskets. These baskets are traditionally used for food gathering, but I have been thinking about the metaphorical burdens we carry.  Disconnected Bison Stack talks about two different burdens – the first references the mass slaughter of the bison, an extremely destructive part of colonialism that continues to have ramifications today. The second set of icons relates to a previous project called Disconnected Towers. That project was inspired by the gentrification I witnessed in my neighborhood in West Seattle, where single family houses were torn down to build much more expensive, inaccessible units. Disconnected Bison Stack combines icons and symbols from both projects onto a burden basket.

KB:  I’d love to hear more about the music that you put on your playlist. Do you listen to it while you work?

RF: I listen to a lot of different things while I work, and I wanted to share some artists that I look up to. Buffy Sainte-Marie and John Trudell are icons of contemporary Native music.  Black Belt Eagle Scout and Ya Tseen are from a younger generation. I selected songs that I think are beautiful, musical pieces, but also have important social commentary. The playlist mirrors the importance of social messaging in my own work. I also really wanted to include local artists. I like listening to music, and a lot of my friends are in bands, so it was important to me to represent some local scene as well.

KB: Another aspect of being creative is where you work. I’d love to hear about your studio space.

RF: I like where I work because it feels like a time warp. My studio has low windows and, because the lighting is always the same, I have no idea how long I’ve been working on something. It is really nice to just be consumed by my process and lose track of time without distractions. I also like the ability to work in different places. I might work in my studio, but I often draw in a chair by the window (if my cats let me) or at my kitchen table. Sometimes I like to work in bars, too. Having different spaces can shift your point of view.

KB: That’s really cool. When you’re working on a new series, where do you go for inspiration?

RF: I try to bring in a lot of different references. It is like a funnel – you need to fill yourself up with a lot of ideas, and then what comes out the other side, the processing that happens, is the work that you do as an artist. My work often starts with Plateau storytelling and aesthetics, and combines with contemporary ideas. It is very important to think about the messaging within a piece, and include metaphor, symbolism, and action to reinforce its content.

KB: Do you do anything to help push through a creative block?

RF: Sometimes an idea strikes like a lightning bolt. Other times it takes a process. I noticed myself doing the same things over and over again in my sketchbook, so I made myself a brainstorming template. It has a series of lists that help me think through different lenses. For example, there is a list for content – what am I trying to communicate? And another section for thinking about material opportunities – am I working in glass? Vinyl? Acrylic? And a third list for thinking about how to integrate action and inter-activity. Then I take ideas from each list and start connecting them together.

KB: What are you working on now?

RF: Recently, I’ve been working on Coyote Now projects, which are contemporary adaptations of Coyote’s role as the trickster. I had a residency at Institute of American Indian Arts where I started working on an idea called Coyote and the Monsters Yet to Slay. One of Coyote’s jobs, when two-legged people were going to come and inhabit the world, was to slay monsters that were going to be a threat. I have been thinking about how we have all these societal monsters that still need slaying, like the economy, and about ways that Coyote could symbolically do that work for us.

Check out Ryan! Feddersen’s playlist on Spotify, and visit us at Museum of Glass to see more of our collection featured in Out of the Vault: Soundtracks.

About The Artist:
RYAN! Feddersen specializes in creating compelling site-specific installations and public artworks which invite people to consider their relationships to the environment, technology, society, and culture. She is a member of the Confederated Tribes of the Colville Reservation from the Okanogan and Arrow Lakes bands. Her interactive murals, site-specific installations, and immersive public artworks activate spaces throughout the Pacific Northwest.

Feddersen’s work is featured in Out of the Vault: Soundtracks, currently on display at Museum of Glass and open through June 18, 2023.

Learn more and view Feddersen’s work at: http://ryanfeddersen.com/

Image credits:

  1. Photo courtesy of the artist.
  2. RYAN! Feddersen (Confederated Tribes of Colville, born 1984). Disconnected Bison Stack, Made at the Museum in 2019. Blown glass; 14 3/16 × 10 3/4 in. (36.1 × 27.3 cm). Collection of Museum of Glass, gift of the artist. Photo courtesy of the artist.

Out of the Vault: Soundtracks with D.H. McNabb

Making art from glass is time-consuming. It is an undertaking that can unfold over hours, but more often takes place over days, weeks, or even months. A great music playlist can be essential to keeping focused and staying creative. These playlists were the starting point for our exhibition Out of the Vault: Soundtracks. MOG curator Katie Buckingham sat down with D.H. McNabb to learn more about his work in the exhibition and creative process.

KB: I’d love to hear more about Horizon Study Attempt #27. Is it inspired by a specific sunrise or sunset?

DHM: They’re general – the one in Out of the Vault was inspired by the trip to Tacoma for my residency in 2018. Imagine you’re driving West – that oblong shape of the bubble is the morning sunrise in your rearview mirror. Some of my earliest sunset memories are watching the sun over where I grew up in Tampa Bay.

KB: The paint on the wall is really eye-catching. What inspired that addition?

DHM: I’ve been to a number of collectors’ homes, and they can be so crowded. You’ve got a Lino [Tagliapietra], piled on top of a Nancy [Callan], piled on top of anything. For me, the paint defines the boundary of the space so you can’t creep close to it.

KB: Let’s talk about your playlist. What do you listen to while you work?

DHM: I generally don’t listen to playlists while I work, I listen to albums. The thing with playlists is that you have to sit there and construct them. In the Hot Shop, I don’t want to be distracted. I just need some tempo in the background. Usually, we start with something kind of old school, like Miles Davis. Then something more upbeat, like DJ Shadow, followed by a long concert, like Grateful Dead, Allman Brothers, or Led Zeppelin. Then we finish with something chill, like Bob Marley.

KB: Other than music, what is most essential to your creative process?

DHM: Having a great rapport with who you are working with. For years, I’ve worked with Janusz Poźniak and David Walters. They pretty much taught me how to blow glass, and then the next thing you know you’re assisting them, and then you turn around and they’re assisting you. It’s a great way to learn and to have aesthetic, have conversations with each other. Even though our works are different, you can see the visual ways we riff off each other.

KB: Where do you look for inspiration?

DHM: Well, I just look at a sunset [laughs]. But seriously, pretty much everything I liked when I was ten still holds true to me…nature, astronomy – everything from flora and fauna to the aurora borealis and stars. The only difference is that, through my undergraduate and graduate education, I can better articulate my ideas.

KB: How do you push through a creative block?

DHM: I have always fought against the worry that I won’t be able to come up with an idea. I came up with this term graduate school called “f*ckused” – where you’re so focused on something that you’re f*cked, you can’t get a new angle on it. So, I try not to get too f*ckused.

KB: So, what are you making now?

DHM: I’m continuing to think about sunrises and sunsets and have been imagining new shapes with faded colors. The latest iteration are these smart-aleck participation trophies. You know, like: “Thanks for participating sun!” Or “good job sun, that was a great sunset.” You know, “keep up the good f*cking work,” that sort of thing. I’ve been calling them Horizon Points or Sunset Trophies. Because the sun deserves an attaboy/attagirl too.

Check out D.H. McNabb’s playlist on Spotify, and visit us at Museum of Glass to see more of our collection featured in Out of the Vault: Soundtracks.

About The Artist:
D.H. McNabb’s work utilizes traditional Venetian glassblowing techniques to create mixed media pieces and installations that use glass in new and innovative ways. His artwork showcases a clever look at the world around us, inspired by everything from barware and cocktail glasses, to physical emails and potato chip bags.

McNabb’s work is featured in Out of the Vault: Soundtracks, currently on display at Museum of Glass and open through June 18, 2023.

Learn more and view McNabb’s work at: http://dhmcnabb.com/

Image credits:

  1. Photo by Tadzio © Fondation d’entreprise Hermès
  2. D.H. McNabb (American, born 1980). Horizon Study Attempt #27, Made at the Museum in 2018. Blown glass, paint and plywood; 28 × 36 × 9 in. (71.1 × 91.4 × 22.9 cm). Collection of Museum of Glass, Tacoma, Washington, gift of the artist. Photo courtesy of Museum of Glass.
  3. Sketches of early examples of Horizon Study. Courtesy of the artist.
  4. Viewing the sunrise through the lens of an airplane window, an early reference image for the Horizon Study series. Courtesy of the artist.

MOG @ 20 Celebration and Blown Away Watch Party and Cast Q&A

This Saturday, July 30, MOG is celebrating its 20th birthday with an all-day MOG @ 20 celebration! From 10am-5pm, stop by the Museum for a variety of family-friendly activities, performances, and demonstrations. Then, from 5pm-6pm, join us in the Hot Shop Amphitheater for a watch party of the newest season of Netflix’s hit series Blown Away, followed by a live Q&A with local artists and Season 2 cast members Minhi England and Trenton Quiocho.

The celebration will take place both inside the building and outdoors, and Museum admission will be free to everyone all day long. Artisan vendors will host a market on the Museum’s outdoor Plaza. The Hot Shop Team will give live glassblowing demonstrations, as they work alongside Visiting Artist Tanner Weiss. Musical performances by the Kareem Kandi World Orchestra, the Tacoma Banjo Club, and the Pierce College Jazz Combo will take place throughout the day in the Grand Hall. The Museum of Glass Store is hosting Marble Mania, featuring flameworking demonstrations by Blake Julich, a marble painting activity, a marble run, and more. Incalmo will host a burger bar and sell special “Chocolate Marble” truffles as a birthday treat, for those who are peckish from all the partying.

To cap off the celebrations, Blown Away cast members Minhi England and Trenton Quiocho, both Pacific Northwest locals, will join visitors and MOG staff in the Hot Shop Amphitheater for a watch party of Blown Away: Season 3, Episode 1. After the episode, visitors are invited to join in conversation with the artists in a live Q&A session, moderated by MOG curator Katie Buckingham. Just like the rest of the day, this event is free to attend. Seating will be first come, first served (and could fill up quickly), so visitors are encouraged to arrive early. Snacks will be available for purchase and Incalmo will host a cash bar to accompany the watch party.

Thank you to our sponsors Port of Tacoma and ArtsWA for their support of this event.

GLASS BREAK: Sarah Gilbert

Pride month may be over, but for the month of July, Glass Break will be highlighting LGBTQ+ artists ALL MONTH LONG. If you don’t know what Glass Break is, here’s a little background. Glass Break is a new video series exploring topics related to all things glass. This series includes interviews with the MOG Hot Shop Team discussing their experience working with the featured Visiting Artists, past clips of live glassblowing, and much more.

This week MOG’s own Sarah Gilbert will be featured with some throwback footage from her most recent residency in the Hot Shop.

Tune in Friday, July 10 at 1pm and enjoy a Glass Break with MOG!

View the live stream at: museumofglass.org/the-hot-shop

About the artist: Sarah Gilbert received her BFA from the Rochester Institute of Technology in 2005. Utilizing glass to communicate a narrative, Gilbert catalogs and documents the stories of daily life. Her work has been shown around the world and she was recently a Hauberg Fellow at Pilchuck Glass School. Gilbert was also chosen as part of Young Glass, the competitively juried international exhibition featuring the work of emerging artists working in glass, held once a decade at Glasmuseet Ebeltoft in Denmark.

Learn more about Gilbert and follow her work at:

Five Minutes with Lino Tagliapietra

The Maestro returns to the Museum of Glass Hot Shop, October 26 through 28, for his third Visiting Artist Residency of the year! We caught up with him before he and his team arrive in the Hot Shop next week.

Lino Tagliapietra in the Museum of Glass. Photo courtesy of Museum of Glass.
Lino Tagliapietra in the Museum of Glass. Photo courtesy of Museum of Glass.

This is your third residency at Museum of Glass this year! Our visitors really enjoy seeing you work in the Hot Shop. What do you enjoy most about working at Museum of Glass?

What I really like about working at MOG is blowing glass with the Team in the Hot Shop!

How does the atmosphere of the hot shop shape your work?

What really shaped my way of working is the freedom that you can feel in the hot shop.

What advice do you have for aspiring glass artists?

I would love to tell them just three words: freedom, courage, and…a dash of luck!

Now for some fun questions. What is the first thing you do when you travel back to Italy?

The first thing I do when I go back to Murano is eat a plate of spaghetti with Italian broccolini. So good!

Which place has the best coffee – Seattle or Murano?

I like both, but at the moment I am missing the Murano one!

What is your favorite meal to cook for family and friends?

I love making sea snail soup. I like soup (sopa in the Venice dialect).

Plan a visit to Museum of Glass to see Visiting Artist Lino Tagliapietra working in the Hot Shop from October 26 through 28, or watch his residency online.