MOG Executive Director Discusses The Effects of COVID-19 on Arts and Humanities Organizations with U.S. House Committee

Museum of Glass was honored to be invited to share our experiences dealing with the impact of COVID-19 with the U.S. House Committee of Appropriations on March 25, 2021. MOG Executive Director, Debbie Lenk, was part of a panel discussion regarding “The Effects of COVID-19 on Arts and Humanities Organizations.

We never imagined a world where Museum of Glass would operate for only four months in 2020. It was the first time in 20 years our Hot Shop and programming went idle. During uncertain and dark times, people look to art for healing and inspiration. It was, and remains, a heavy burden for MOG to not be able to serve our community in the same manner we have for two decades.

Lenk voiced how in-person events and visiting artists, which came to a quick halt this past year, play a massive role in the visitors’ experience at the Cone. She added that it is a huge priority this spring to bring back these programs, including Hot Shop Heroes, a glassmaking program for soldiers and veterans with post-traumatic stress, traumatic brain injury, and other depressive disorders.

Our communities need art more than ever. Throughout the past 12 months we have focused squarely on providing what programs we can in order to give people hope, and we have worked to ensure our staff have jobs when MOG can reopen.

Debbie Lenk, Executive Director

You can watch the full panel discussion at: The Effects of COVID-19 on Arts and Humanities Organizations

A transcript is also available at: Ms. Deborah Lenk Testimony

Hindsight is 1921: Reflections on Lalique Near the End of the Pandemic

Written by Katie Buckingham, Curator 

Now that I’m a year into a pandemic, I completely understand why the Roaring Twenties followed the Spanish Flu. I don’t know about you, but after 356 days (and counting) of being marooned in a box on Zoom, I could really use a bigger place. And a fun party. And some new things. 

MOG’s newest exhibition, René Lalique: Art Deco Gems from the Steven and Roslyn Shulman Collection, showcases the pinnacle of Lalique’s career in glass. And, after the last 12 months, I appreciate it from a new perspective. Of course the survivors of World War I and the 1918 influenza pandemic felt the desire to reinvent themselves and live in excess!  

René Lalique (French, 1860–1945) Deux cavaliers (Two Horsemen) Table Centerpiece, 1920 Mold-pressed glass; bronze base 10 × 36 1/4 × 4 in. Promised gift of Steven and Roslyn Shulman Photo by Duncan Price

Their drive to be reborn led to a decade of consumption and revelry that became known as the Roaring Twenties. Lalique’s Art Deco designs are both art and artifact, representing the era’s luxurious aesthetics and the era’s new technologies and social changes.  

The Deux cavaliers (Two Horsemen) table centerpiece is a dramatic composition of two horsemen, poised mid-duel. By the 1920s, many homes had electric lighting. Lalique took advantage of this new technology, designing statement lighting fixtures like this, with enough presence to replace the now-old fashioned candelabras and chandeliers.  

René Lalique (French, 1860–1945) Roscae figurines (Rosette Figurines) Perfume Bottle for Maison Lalique Mold-blown and mold-pressed glass, enamel 4 3/8 × 4 3/8 × 3/4 in. Promised gift of Steven and Roslyn Shulman Photo by Duncan Price

Partly as a result of the suffrage movement, women took center stage in the 1920s. Known as Flappers, these women pushed economic, political, and social boundaries, and their independence sent waves through the design world. Lalique created bottles, like Roscae figurines (Rosette Figurines), with a sculptural eye. They were talismans, representing the sophistication and vibrant independence of their owners.  

Standing in the exhibition, I can’t help but hope we are at the beginning of another Roaring Twenties. I wonder if people from 1920 dreamed of the “after pandemic” with the same visions of celebratory excess that I hope will follow this immensely trying year. I’d like to think so.  

Temporary Museum Closure: How to Stay Connected and Support MOG

Per the direction of Washington state governor Jay Inslee, Museum of Glass is closed through Monday, December 14, 2020 to help curb the spread of COVID-19. We’re saddened to close our doors after just 45 days of reopening, but we’re committed to doing our part in protecting the health and safety of our community and staff.

However, there is good news.

While in-person Museum operations are impacted, there are other, dare we say, great ways to connect with and show your support for MOG.

Museum Store
The MOG Store remains open Friday–Sunday, 10am–5pm. Online shopping is also available at museumofglassstore.org and new products will be dropping over the next days and weeks, so check back often.

In addition, you can get your holiday crafting on with one of our free project kits for dreidels, snowflakes, and candy canes. Pick up yours in the Museum Store starting November 27, 2020.

Junior Curator Academy
Introducing Junior Curator Academy, an interactive mini-series focusing on art objects and installations at Museum of Glass. Listen in as our hosts talk to artists, Museum staff, and subject matter experts as they explore the creative process, influences, and materials used in individual works of art you can find at the Museum.

New Exhibition Alert
Previously scheduled to open on November 27, 2020, René Lalique: Art Deco Gems from the Steven and Rosyln Shulman Collection, will be on view when MOG reopens to the public. Don’t worry, you won’t have to wait that long for a sneak peek. Stay tuned for an opportunity to take a virtual look at this highly anticipated exhibition.

Glass Break
Continue to tune into Glass Break every Monday to watch clips of live glassblowing in the MOG Hot Shop with narration by Emcee Walter Lieberman.

You’ll hear more from us soon. Stay safe and we’ll get through this together.