Pearl Dick’s Visiting Artist Residency was initially scheduled for 2020, but was postponed due to the pandemic. With this being her first residency at Museum of Glass, which began on July 14, 2021, both parties were anxious to join forces. During Dick’s week-long residency, she worked on pieces from her Sculpted Heads series. Her previous work from this series is currently on display in Transparency: An LGBTQ+ Glass Art Exhibition, available to view through summer 2021. Luckily before Dick had left the Pacific Northwest to head back home to Chicago, we had some time to reflect on her first residency at Museum of Glass.
How about a few fun questions to start? Did you do any exploring while here in Tacoma, WA? If so, what was your favorite spot?
Pearl Dick: I was really excited to visit Hilltop Artists while I was in town. I have been aware of and working with folks from that program for a while now, so was great to get to see it all in person!
What is the first thing you have planned to do when traveling back to Chicago, IL?
Pearl Dick: We had a community bike ride the day after I got back to Chicago, visiting historical sites on the South side of Chicago as part of an initiative we are involved with acknowledging and commemorating the Chicago Race Riots of 1919. Over 400 people showed up for the ride. Firebird presented prototypes of the memorial glass markers we are creating to be installed in city sidewalks where people were killed during this atrocity.
Can you tell us more about the organizations you work with back in Chicago? Specifically, Project FIRE and Firebird Community Arts?
Pearl Dick: I am the Artistic Director of Firebird Community Arts, a non-profit organization based on the West side of Chicago. We work to connect people through the healing aspects of art-making and community-building. We are a woman-led, all-inclusive studio providing access to glassblowing and ceramics. Project FIRE is our flagship program. F.I.R.E. stands for Fearless Initiative for Recovery and Empowerment. This program is designed to promote healing through glass and ceramics for young people in Chicago who have been injured by gun violence.
Now let’s talk about your residency! This was your first Visiting Artist Residency here at Museum of Glass. What did you enjoy most about working in the MOG Hot Shop, and how did the atmosphere shape your work?
Pearl Dick: Oh man! I can’t say enough about this MOG Hot Shop team!! They are truly remarkable artists, technicians, and all-around wonderful humans. I was able to make pieces that had eluded me with their expert help. The whole MOG crew, in fact, was on point. This was a pinnacle of my artistic journey so far and really refreshed my love of making my own art since so much of my energy over the last decade has been devoted to my community work. This residency was truly a gift and I feel even more inspired to bring that energy home.
Your work is currently featured within Transparency: An LGBTQ+ Glass Art Exhibition, and you took some time to discuss these pieces on Transparent Conversations last week. Could you tell us about the art you created during this residency and how it relates to other pieces within this body of work?
Pearl Dick: It was an honor to be included in this show and amazing to get to see it beautifully displayed at MOG–and to get to create my work in the residency with Sarah Gilbert in the hot shop, who was also a part of this exhibition was extra special for me. All of the work we made during this residency spoke to the themes of connection and relationship, which is what my work in Transparency was about. We added some elements of color and connection and scale that elevated this message.
Lastly, can you let everyone know where they can see your art or plan to see the work you completed during this Visiting Artist Residency?
Pearl Dick: One of my favorite pieces created during this residency will stay with you all at the museum, which is also a huge honor to have my work created with your team become a part of the permanent collection. One of the pieces has a technical anomaly so I get to keep that one, which I am not sad about. I have yet to see the other finished pieces so I will wait to get them back to Chicago and decide where they go from there, but I imagine I will probably live with them for a minute and replay the awesome experience I had creating these before I send them out into the world.
About The Artist:
Artist and educator, Pearl Dick specializes in glass and art making as a means for expression and healing. Drawing from her life and observations, Dick’s work speaks to our human connection. From the relationships that span a lifetime to the casual interactions that last only an instant, no connection is insignificant. Her work, whether in glass or paint, is meant to spark a memory, feeling, or emotion within the viewer that is deeply personal—in those moments, her work becomes universal.
Learn more and view Dick’s work at: